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Alan Crawford,
Sunday Herald, 24 October 2004 Feature
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seminal movie Akenfield achieved the holy grail of TV success by attracting critical and popular acclaim in equal measure a model of filming part documentary, part fiction- which has a place in TV and cinema history |
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Krishan Arora,
BBC Television, 24 October 2004
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Akenfield is a film with enduring values of Britain and the countryside that just struck a chord This was a time when there were only three channels and we all gathered around for big television events, and this was one of them |
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Dick Fiddy,
The British Film Institute, 24 October 2004
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| Akenfield was beautiful and elegiac |
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The British
Film Institute, 20 November 2004 TV Festival programme
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Thirty years ago, Akenfield made history This screening offers a chance to rediscover, or to experience for the first time, a true TV masterpiece |
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Sir Peter Hall,
The Guardian, 20 November 2004 Feature
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| Akenfield is the most personal piece of work I have ever done |
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The Guardian,
20 November 2004 Watch This
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Peter Hall took the tradition of naturalistic theatre in to film turning the stories of people's lives into drama Hailed as a masterpiece on its release, the film cuts to the heart of a side of British life that has since almost entirely died out innovative film |
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Roger Clarke,
The Independent, 20 November 2004 Films of the Week ****
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| Alexander Walker called this fascinating docu-drama , which uses a largely non-professional cast, one of the best films made in and about England; it's certainly of its time |
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Daily Mail,
20 November 2004 Choice
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Simon Wardell,
The Sunday Times, 21 November 2004 Best Film of Week
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Peter Hall's unique film The photography by Ivan Strasburg recalls painters such as Constable and gives the film a very English flavour nostalgic but with an awareness of how tough rural life can be every scene is grounded in the land the performers live on and has a sure sense of place |
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Philip French,
The Observer, 21 November 2004 Film of the Day
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| It looks beautiful, has a soaring score by Michael Tippett |
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Geoff Ellis, Radio
Times, 25 November 2004 Today's Choice
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A beautiful portrait of English rural life was a real one-off Nostalgic and beguiling it may be, but cosy it isn't |
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Stephen Dalton,
The Times, 25 November 2004 Film Choice
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| A beautifully composed living tableaux |
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Matt Brerton,
The Scotsman, 25 November 2004 TV Choice
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Legendry theatre director Sir Peter Hall adapts Ronald Blythe's testimonial memoir The largely non-professional cast give the film an ultra-realistic feel |
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Gerard O'Donovan,
The Daily Telegraph, 26 November 2004 Review
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How lovely to see BBC4 showing Peter Hall's 1974 film Akenfield There are many reasons why Akenfield is regarded as a landmark in British film-making its television broadcast, which drew 14 million viewers. An extraordinary number for a film of this type it was highly experimental, blurring fiction and reality in its evocation of 100 years it captured beautifully and forever a rural lifestyle and tradition The integrity of its account was sealed by Hall's insistence of using only local people for his actors the cinematography, much of it reminiscent of Constable, remains breathtaking For all concerned it's a legacy
of which they can feel justly proud |
AKENFIELD Revisited (documentary)
National Press Reviews 2004 (in date order)
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Simon Horsford,
The Daily Telegraph, 20 November 2004 Pick of the Day
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In 1974, Peter Hall made a now famous drama/documentary about a small Suffolk village Akenfield Revisited looks back to how this nostalgic, informal film was made (the use of non-professional cast made it all the more personal) |
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Daily Mail,
20 November 2004 Pick of the Day ****
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Hall's ground-breaking idea Peter Hall's innovative film |
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The Sunday Times,
21 November 2004 Pick of the Week
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| (Akenfield) is credited with influencing British indie cinema |
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Karl French, The
Financial Times, 25 November 2004 Television Preview
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| Thirty years ago director Peter Hall, producer Rex Pyke and writer Ronald Blythe set out on an ambitious mission to adapt Akenfield, the book that Blythe himself had deemed unfilmable |
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Mail on Sunday,
25 November 2004 Choice
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